Hybrid Futures: Hypersea – in retrospect

Recently, the Hybrid Futures: Hypersea event premiered at Salford Museum & Art Gallery as part of Fat Out Fest, the University of Salford Art Collection team assistant, Sam, gives his thoughts:


The Hybrid Futures event was exciting from start to finish – welcoming public audiences from a variety of backgrounds to experience this contemporary exhibit of sound.

Hybrid Futures: Hypersea
Image: Courtesy of Sam Parker.

This was born out of a 10 day residency for Hypersea to respond to Shezad Dawood’s ‘Leviathan: From the Forest to the Sea‘ supported by Samarbeta Music ResidencyIKLECTIK ART LAB , and the University of Salford Art Collection.

Hybrid Futures: Hypersea
Image: Courtesy of Sam Parker.

Starting with I Am Fya – an eclectic mix of vocals, digital sound, and sporadic imagery progressing through the performance. A spontaneous vocal reaction to candid configuration of music and sound, accompanied by collaged video. Each individual piece both reacted to and stimulated each other, pushing the piece to develop into a unique response to the moment. Some danced, some stood, some sat and embraced the mix of sensory stimulation as the performance existed in uncertainty and unfolded into something irreplicable.

Hybrid Futures: Hypersea, I Am Fya
Image: Courtesy of Sam Parker.

Hypersea‘s response to Shezad Dawood’s ‘Leviathan: From the Forest to the Sea‘ was an encompassing mix of existentialism and possible outcomes for our futures. The sound was engaging, relaxing, and overall allowed the public to experience it how they wanted – the more lively of people danced, those who wanted to experience the sound (and sound only) sat down, closed their eyes, a couple even lay flat on their back to fully immerse themselves in the soundscape. For those with their eyes open, the lighting only added to the immersion of Hypersea’s performance – although lacking any change throughout the performance, the red light cast around the room kept the audience engaged and attentive. The soundtrack that Hypersea was constructed from sonified ocean data and used motion to control the composition – which I found extremely interesting, it gave the performance a real sense of weight and gravitas to know what was being presented.

Hybrid Futures: Hypersea
Image: Courtesy of Sam Parker.

A fitting closing celebration of the 3 year Hybrid Futures project, championing partnership working and collaboration across the North West.

Hybrid Futures: Hypersea

Image: courtesy of Fat Out Fest 2024

PERFORMANCE COMMISSION FOR FAT OUT FEST IN SALFORD MARKS THE CONCLUSION OF HYBRID FUTURES

From the Other, University of Salford Art Collection & IKLECTIK present a brand new interactive A/V show from Hypersea in response to the Hybrid Futures exhibition. 

Working Men’s Club synth player Hannah Cobb will be undertaking a 10 day Samarbeta residency in the run up to the Fat Out Fest to develop a performance under her artist persona, Hypersea.

This new work will be premiered to an intimate audience on Friday 20 September at Salford Museum & Art Gallery within the Hybrid Futures exhibition.

Hypersea will develop a performance starting with ideas surrounding fluidity, interconnectivity and notions of collectivity, inspired by Shezad Dawood’s work ‘Leviathan: From the Forest to the Sea’, currently showing in Hybrid Futures. The work will evolve over the residency at Islington Mill, facilitated by the Samarbeta music residency programme. It will incorporate instruments built in Max/MSP, data sonification and visualisation, and explorations into motion-controlled A/V, moving towards a final work in which the movements of audience members in the space will contribute to the overall soundscape of the installation.

The work produced will be an immersive sonic and visual experience, where the physical bodies of audience members paired with processes developed using machine learning techniques will collectively form the final outcome.

The evening starts at 7pm with a chance to view the exhibition before it closes on Sunday 22nd September. Following a support act (TBC) at 8pm, Hypersea will perform at 9pm.  A pay bar will be open.

Tickets are on sale from https://www.fatout.info/

Sliding scale pricing £8 (low income) – £12 (standard) £15 – (solidarity) 

Please note the Hybrid Futures exhibition will close early at 3pm on 20th September. 

In Partnership with Samarbeta, University of Salford Art Collection, and IKLECTIK

Seeds for Action: In Focus – Audiences, Artists and Partnerships – Museums Development North

Are you interested in engaging audiences and artists with environmental issues? ?
Are you wanting to take a collaborative approach to climate-focused work? ♻️

Install shot of Hybrid Futures Photographed by Jules Lister

Then you should book onto Museum Development North’s Seeds for Action workshop on the 20th of August! (click here!)

This session will be presenting a lightning talk about #HybridFutures , our multi-part collaboration focusing on climate, sustainability, collaborative learning, and co-production! This project has brought us together with @castlefieldgall
@grundyartgallery , @touchstones_rochdale , and Shezad Dawood Studios – all the more reason to sign up!

Install shot of Hybrid Futures Photographed by Jules Lister

The talk will be presented by our Curator Lindsay Taylor, and our friend @rt.pritchard ! Hope you can make it!


Artist Shezad Dawood shares his answers to our Hybrid Futures questions

Installation view of Hybrid Futures at Salford Museum & Art gallery, showing the main 'Have Your Say' question wall, and audience responses.

Throughout the Hybrid Futures exhibition at Salford Museum & Art Gallery, questions are posed asking visitors to share how they feel about the climate crisis, and what arts organisations should be doing in response. As well as asking the audience, we’ve asked the Hybrid Futures artists what their responses to four of the same questions might be. This week Shezad Dawood shares his thoughts. 

Question 1: How important is addressing climate change to you? 

“I think the most pressing question of our time is how to get all people to come together around our shared planet and how we collectively make it, and not ourselves, the priority.”

Question 2: What actions are you taking in response to the climate crisis? 

“I’m reducing my travel and working with collaborators to collaborate on film, digital and writing projects remotely where possible. I’ve also been looking at how and where there are ways to reduce shipping, so for a recent set of shows the works were predominantly hanging textiles that could be put together on a single roll, rather than needing multiple crates, and the rest of the works were digital files that could be transferred.”

A photograph of data presented at Hybrid Futures showing a pie chart of co2e emissions from the Hybrid Futures exhibition at Touchstones Rochdale June - Aug 23. The data shows that 32% of co2e emissions came from Energy use, 20% from art creation, 15% from transport of art, 12% from other staff/artist travel, 10% from staff commuting, 7% from paint, and 4% from materials.
Data about the Co2e emissions associated with Leviathan: From the Forest to the Sea presented as part of Hybrid Futures at Touchstones Rochdale in 2023.

? Danny Chivers, Hybrid Futures Environmental Consultant, has calculated that the total emissions from the first three Hybrid Futures exhibitions at Touchstones Rochdale, Castlefield Gallery and Grundy Art Gallery, are roughly equivalent to a single return flight from the UK to Indonesia (4.6 tonnes of CO2e). Reducing how much we fly is one of the biggest ways we can reduce our carbon footprints. 

Question 3: “I believe art galleries and museums should…” 

“Be engaging with artists, audiences, funders and colleagues to see where we can all work together to create new industry standards for how we do things, from reducing waste in exhibition design (and redesign) to hosting creative and interdisciplinary conversations to yield new ideas and collaborations between the arts, the sciences and to broaden our reach.”

Question 4: If you could change one thing to make a more sustainable world, what would it be? 

“Ultimately changing the behaviour and regulatory frameworks of the world’s largest corporations remains one of the quickest and most impactful ways to accelerate change.”

A close up image showing green post-it notes, on the wall at Salford Museum & Art Gallery
Post-it notes at Salford Museum & Art Gallery, responding to the question If you could change one thing to make a more sustainable world, what would it be?

?The 2024 The Carbon Majors Database: Launch Report found that just 57 organisations are linked to 80% of the world’s fossil fuel and cement Co2 emissions since the Paris Agreement in 2015. These findings highlight the importance of systematic change in order to tackle the climate crisis. 

What would your answers to these questions be? 

We hope that Hybrid Futures and these prompts encourage us all to reflect on our own actions, the places where we are already making changes, and where we can use our power and influence to have the biggest impact. 

Hybrid Futures is open now at Salford Museum & Art Gallery until September 22nd, where you can see visitors’ answers to the questions and prompts, alongside work from Shezad Dawood, Jessica El Mal, Parham Ghalamdar and RA Walden.

You’re Invited: Hybrid Futures Exhibition Launch – 21st March

The latest instalment of Hybrid Futures launches at Salford Museum & Art Gallery next week. Bringing together all the work from across the Hybrid Futures project, you’re invited to join us to celebrate the exhibition launch on the 21st of March.

Exhibition Launch: Hybrid Futures 

5-7 PM, Thurs 21st March 2024

Salford Museum and Art Gallery

Open to all and free to attend, refreshments provided.

RSVP here: salfordmuseum.com/event/opening-hybrid/ 

The exhibition brings together new work and co-commissions by Shezad DawoodJessica El MalParham Ghalamdar and RA Walden that will mark one of the final phases of the Hybrid Futures pilot project exploring collective and more sustainable ways of working. The exhibition in Salford is presented by the University of Salford Art Collection in partnership with Salford Museum & Art Gallery. Read more about the exhibition here.

A prayer room, water and dates will be made available to anyone observing Ramadan. Want to attend earlier? We will be offering a quiet hour ahead of the exhibition launch. Please contact Rowan Pritchard if you would like to attend from 4 pm.

Planning on attending? After your visit to Hybrid Futures, don’t miss Nikta Mohammadi: Memory Stone Preview at The Lowry, also on the 21st of March from 6 until 8pm. 

To travel to The Lowry from Salford Museum and Art Gallery, catch the 50 bus from the Crescent (opposite the Museum), to Media City UK. The 50 is part of The Bee Network, with easy access on all busses. For more information visit: https://tfgm.com/public-transport/bus/stops/1800NF31221/50 

Announcing: Hybrid Futures Symposium

Hybrid futures logo

Friday 10 May 2024 10.00am – 4.45pm
The Old Fire Station, University of Salford & Salford Museum and Art Gallery

What are the environmental issues currently facing museum collections, art galleries and artists? 

Is it possible to make your work more sustainable in the visual arts sector? 

How can arts organisations and their local communities work together to influence change?

Is there the potential to test ideas and new ways of working in order to create a robust and effective model to change the way that galleries should operate in the future?

Join the Hybrid Futures partners, artists, commissioners, funders, community members and consultants for conversation and activity as we share our learning and explore together concrete actions our sector can take to create enduring and effective models of sustainable practice for galleries and museums.

Get updates on the Hybrid Futures Symposium programme and book here: www.eventbrite.co.uk/e/hybrid-futures-making-showing-collecting-art-in-a-time-of-climate-crisis-tickets-837365973167

© 2024 University of Salford