Artist Shezad Dawood shares his answers to our Hybrid Futures questions

Installation view of Hybrid Futures at Salford Museum & Art gallery, showing the main 'Have Your Say' question wall, and audience responses.

Throughout the Hybrid Futures exhibition at Salford Museum & Art Gallery, questions are posed asking visitors to share how they feel about the climate crisis, and what arts organisations should be doing in response. As well as asking the audience, we’ve asked the Hybrid Futures artists what their responses to four of the same questions might be. This week Shezad Dawood shares his thoughts. 

Question 1: How important is addressing climate change to you? 

“I think the most pressing question of our time is how to get all people to come together around our shared planet and how we collectively make it, and not ourselves, the priority.”

Question 2: What actions are you taking in response to the climate crisis? 

“I’m reducing my travel and working with collaborators to collaborate on film, digital and writing projects remotely where possible. I’ve also been looking at how and where there are ways to reduce shipping, so for a recent set of shows the works were predominantly hanging textiles that could be put together on a single roll, rather than needing multiple crates, and the rest of the works were digital files that could be transferred.”

A photograph of data presented at Hybrid Futures showing a pie chart of co2e emissions from the Hybrid Futures exhibition at Touchstones Rochdale June - Aug 23. The data shows that 32% of co2e emissions came from Energy use, 20% from art creation, 15% from transport of art, 12% from other staff/artist travel, 10% from staff commuting, 7% from paint, and 4% from materials.
Data about the Co2e emissions associated with Leviathan: From the Forest to the Sea presented as part of Hybrid Futures at Touchstones Rochdale in 2023.

💡 Danny Chivers, Hybrid Futures Environmental Consultant, has calculated that the total emissions from the first three Hybrid Futures exhibitions at Touchstones Rochdale, Castlefield Gallery and Grundy Art Gallery, are roughly equivalent to a single return flight from the UK to Indonesia (4.6 tonnes of CO2e). Reducing how much we fly is one of the biggest ways we can reduce our carbon footprints. 

Question 3: “I believe art galleries and museums should…” 

“Be engaging with artists, audiences, funders and colleagues to see where we can all work together to create new industry standards for how we do things, from reducing waste in exhibition design (and redesign) to hosting creative and interdisciplinary conversations to yield new ideas and collaborations between the arts, the sciences and to broaden our reach.”

Question 4: If you could change one thing to make a more sustainable world, what would it be? 

“Ultimately changing the behaviour and regulatory frameworks of the world’s largest corporations remains one of the quickest and most impactful ways to accelerate change.”

A close up image showing green post-it notes, on the wall at Salford Museum & Art Gallery
Post-it notes at Salford Museum & Art Gallery, responding to the question If you could change one thing to make a more sustainable world, what would it be?

💡The 2024 The Carbon Majors Database: Launch Report found that just 57 organisations are linked to 80% of the world’s fossil fuel and cement Co2 emissions since the Paris Agreement in 2015. These findings highlight the importance of systematic change in order to tackle the climate crisis. 

What would your answers to these questions be? 

We hope that Hybrid Futures and these prompts encourage us all to reflect on our own actions, the places where we are already making changes, and where we can use our power and influence to have the biggest impact. 

Hybrid Futures is open now at Salford Museum & Art Gallery until September 22nd, where you can see visitors’ answers to the questions and prompts, alongside work from Shezad Dawood, Jessica El Mal, Parham Ghalamdar and RA Walden.

You’re Invited: Hybrid Futures Exhibition Launch – 21st March

The latest instalment of Hybrid Futures launches at Salford Museum & Art Gallery next week. Bringing together all the work from across the Hybrid Futures project, you’re invited to join us to celebrate the exhibition launch on the 21st of March.

Exhibition Launch: Hybrid Futures 

5-7 PM, Thurs 21st March 2024

Salford Museum and Art Gallery

Open to all and free to attend, refreshments provided.

RSVP here: salfordmuseum.com/event/opening-hybrid/ 

The exhibition brings together new work and co-commissions by Shezad DawoodJessica El MalParham Ghalamdar and RA Walden that will mark one of the final phases of the Hybrid Futures pilot project exploring collective and more sustainable ways of working. The exhibition in Salford is presented by the University of Salford Art Collection in partnership with Salford Museum & Art Gallery. Read more about the exhibition here.

A prayer room, water and dates will be made available to anyone observing Ramadan. Want to attend earlier? We will be offering a quiet hour ahead of the exhibition launch. Please contact Rowan Pritchard if you would like to attend from 4 pm.

Planning on attending? After your visit to Hybrid Futures, don’t miss Nikta Mohammadi: Memory Stone Preview at The Lowry, also on the 21st of March from 6 until 8pm. 

To travel to The Lowry from Salford Museum and Art Gallery, catch the 50 bus from the Crescent (opposite the Museum), to Media City UK. The 50 is part of The Bee Network, with easy access on all busses. For more information visit: https://tfgm.com/public-transport/bus/stops/1800NF31221/50 

Climate Impact Study of First Hybrid Futures Exhibition Assessed

Hybrid Futures Climate Case Study: Leviathan: From the Forest to the Sea exhibition at Touchstones, Rochdale 3 June- 12 August 2023

Leviathan: From the Forest to the Sea opened at Touchstones Rochdale featuring the 8th film in Shezad Dawood’s Leviathan Cycle, plus a series of physical artworks – was the first of the Hybrid Futures branded exhibitions to open. 

As part of the Hybrid Futures project, staff at Touchstones and the team at Shezad’s studio collected as much data as they could about the energy, transport and material use associated with the exhibition. This information was then analysed by Danny Chivers, the Environmental Advisor to the project, to see what could be learned about the climate impact of the show. 

Read the headline results in this pdf.

Read more about Hybrid Futures and sustainabilty here.

Coming Soon: GRUNDY X LIGHTPOOL X HYBRID FUTURES

As part of GRUNDY AT LIGHTPOOL: Neon, New Media and Natural Light Grundy Art Gallery is presenting work from Shezad Dawood and RA Walden, developed as part of Hybrid Futures.

THE UNIVERSE IS A CLOCK(i) Schrödinger’s equation, time dependent a new co-commission by RA Walden and Island Pattern a co-acquisition by Shezad Dawood will both be on display at Grundy Art Gallery until the 16th of December.

Read more about GRUNDY X LIGHTPOOL X HYBRID FUTURES here

Grundy Art Gallery invites you to celebrate Lightpool with them at their late-night opening on Friday 20th October, where the gallery will remain open until 7pm. 

In addition, you are invited to attend the Lightpool Creative Conference on Saturday 21st October.  Visit Eventbrite for full information and to book your free tickets.

Artists and Sustainability – Shezad Dawood

A still image from Leviathan Episode 8 showing a young indigenous person in traditional dress and face paint looks into the camera. A caption included on the image reads: 'It reached the sacred alter, It reached the sacred alter".

Every month, Castlefield Gallery publishes a Sustainability Spotlight which focuses on one of the artists they are working with.  It looks at their work and how it might relate to climate change.

Hybrid Future artist Shezad Dawood was featured recently and you can read his thoughts here:  www.castlefieldgallery.co.uk/news/spotlight-artists-and-sustainability-shezad-dawood/

“There really is a role to play for artists, galleries and art spaces to connect with and support real-world change. Not just through best practice, but by stepping out of our comfort zones and working collaboratively with individuals and collectives from other disciplines and the wider public.”  Artist Shezad Dawood

A newly acquired work by Shezad Dawood will be shown at The Grundy along with a new commission by RA Walden as part of Lightpool from 20 October 2023.

Check out the films and critical writing commissioned for Hybrid Futures

A still from episode 8 of Leviathan, shows an South American indigenous man, pounding a tree with his fist, looking up at it.

“We hear a lot more talk about Indigenous knowledge, alternate cosmologies but this was trying to locate it and to think it through as a practical as well as philosophical collective imagining of the ways we could try things differently from a social, cultural and natural perspective.” Artist Shezad Dawood on the making of Episode 8 of his Leviathan Cycle

A series of films and critical writing that explore the Hybrid Futures exhibitions programme can be found in the exhibitions section under the relevant artist and exhibition.  There are also recordings and other assets that accompany some of our past events programme.

Watch: Parham Ghalamdar and Jessica El Mal discuss The Poetics of Water at Castlefield Gallery

Read: Desmond Bullen reviews The Poetics of Water for Northern Soul

Read: Maja Lorkowska reviews The Poetics of Water for Creative Tourist

Watch: Shezad Dawood discusses Leviathan: From the Forest to the Sea at Touchstones Rochdale

Read: Ella Otomewo reviews Leviathan: From the Forest to the Sea for Corridor 8

Watch: Leviathan: From the Forest to the Sea – More-Than-Human Collaborations Panel Discussion

© 2024 University of Salford